#: locale=it

## Hotspot

### Tooltip
HotspotPanoramaOverlayArea_64B9C8BB_473F_9EDC_41BD_BAA1ACEC5C49.toolTip = A. Crescimbeni, "Ritratto di Giambattista Martini" (ca. 1775)
HotspotPanoramaOverlayArea_5D0D5C34_5094_5D33_41CF_6B5504E090A3.toolTip = Adriano Banchieri - Zabaione Musicale, Humor Spensierato
HotspotPanoramaOverlayArea_401D15BF_5095_AF2D_41BA_6EE27913B7CF.toolTip = Alessandro Piccinini - Calasone
HotspotPanoramaOverlayArea_40C39496_50AC_6DFF_41B1_DED3FDE092B4.toolTip = Anonimo Spagnoletta - Il Ballarino Fabritio Caroso
HotspotMapOverlayArea_686BA19B_4829_3B39_41BE_3E4082F4887C.toolTip = Biglietteria-Bookshop
HotspotPanoramaOverlayArea_65C6A10F_4700_8FB4_41B8_49B73A4E4826.toolTip = C. Giaquinto, "Ritratto di Carlo Broschi detto Farinelli" (ca. 1755)
HotspotPanoramaOverlayArea_4255AD96_50BC_FFFF_41AE_4AD6E13409B8.toolTip = Carlo Gesualdo - Principe di Venosa Ardita Zanzaretta
HotspotPanoramaOverlayArea_4088692B_5095_E4D5_41B6_23180C8A10FD.toolTip = Christian Gottfried Telonius - Concerto per tromba marina archi e timpani
HotspotPanoramaOverlayArea_420E4E34_50B4_BD33_41C8_F2E51B0D3829.toolTip = Claude Debussy - Pour l'égyptienne dalle Six épigraphes antiques, L 131
HotspotPanoramaOverlayArea_5E818A08_509B_E4D2_41D2_A4AC4DF3C898.toolTip = Claudio Monteverdi - Orfeo, Prologo - Io la musica son
HotspotPanoramaOverlayArea_5EC6F500_509D_ECD2_41B1_B0FC283C0F82.toolTip = Claudio Monteverdi - Orfeo, Toccata
HotspotMapOverlayArea_6A08A605_4829_1909_41B7_E42C967BA318.toolTip = Cortile
HotspotPanoramaOverlayArea_412B8068_50AD_A553_418D_978D53FDDDF1.toolTip = Franz Schubert - Ottetto in Fa maggiore D 803
HotspotPanoramaOverlayArea_49E038BF_4639_68F9_41C1_E4B02D0A7075.toolTip = Frate Giambattista Martini
HotspotPanoramaOverlayArea_4192952D_50AC_6F2D_41BB_B0D4D53CBD55.toolTip = Gioachino Rossini - Il barbiere di Siviglia, Largo al factotum, Atto I Scena II
HotspotPanoramaOverlayArea_57AEB8A9_464E_E899_41D1_3C0F5AD31F24.toolTip = Gioachino Rossini e l'opera nell'800
HotspotPanoramaOverlayArea_424E50CC_50B4_A553_41C5_8C61226A29C6.toolTip = Giovanni Battista Lulli - Marche pour la cérémonie des turcs
HotspotPanoramaOverlayArea_5EB37743_509C_AB55_41B8_8A8A151B337A.toolTip = Giovanni Maria Trabaci - Toccata seconda e ligature per arpa
HotspotPanoramaOverlayArea_574595D3_4646_9889_41B7_8B3F9329474D.toolTip = Gli amici di padre Martini
HotspotPanoramaOverlayArea_572B9252_464E_BB8B_41B5_570C870E45AD.toolTip = Il Farinelli e l'opera italiana nel '700
HotspotMapOverlayArea_522B9432_40B8_1A8B_41BD_01E60E1CE662.toolTip = Ingresso biblioteca
HotspotMapOverlayArea_53D4A6D1_40B8_2788_41B3_1A5E6490A4B4.toolTip = Ingresso museo
HotspotPanoramaOverlayArea_647AE2AF_6B4A_B944_41BC_E10E07C5AAD2.toolTip = Introduzione al museo
HotspotPanoramaOverlayArea_42EA941D_50B7_ACED_419F_7D4552A51465.toolTip = Johannes Kepler - Contrappunto per liuto sopra l'armonia del mondo
HotspotPanoramaOverlayArea_40EA0ACF_5094_A56D_41C5_FCE57BAC331D.toolTip = Josquin Desprez - Adieu mes amours
HotspotPanoramaOverlayArea_57680306_4649_998B_41CA_A84968EA31C6.toolTip = L'idea della musica
HotspotPanoramaOverlayArea_572D460B_464B_9B9A_41B2_114E39D18D51.toolTip = Libri per la musica e strumenti - Secoli XVI e XVII
HotspotPanoramaOverlayArea_57D55DDA_4647_A8BA_41C4_614EA83576B3.toolTip = Libri per musica e strumenti - secoli XVIII e XIX
HotspotPanoramaOverlayArea_64176474_4700_B654_41CA_7C39E554DD6A.toolTip = Modello ligneo del Nuovo Teatro Pubblico di Bologna (1756)
HotspotPanoramaOverlayArea_5E6C6D77_509C_7F3E_41C2_C9F0A53B72CA.toolTip = Mozart Martini - Quaerite primum regnum Dei, K 86 I e II versione
HotspotPanoramaOverlayArea_41556813_50B4_64F5_41C0_D00F0D40010B.toolTip = Ottorino Respighi - Preludio corale e fuga per orchestra P 30 I preludio II corale
HotspotPanoramaOverlayArea_5E0C913A_509C_6737_41C8_5ADCC2C4C14C.toolTip = Padre Martini - La Gnudi e La Misarelli
HotspotPanoramaOverlayArea_416224FD_50AB_ED2D_4193_AB05587B9DC1.toolTip = Paolo Benedetto Bellinzani - Sonata Duodecima in re minore IV, "Follia"
HotspotPanoramaOverlayArea_629B993B_6F7D_916E_41CE_F361772116D9.toolTip = Planimetria del museo
HotspotPanoramaOverlayArea_64EB50AF_4703_8EF4_4159_8AE305863AC1.toolTip = Presunto ritratto di Antonio Vivaldi (sec. XVIII)
HotspotPanoramaOverlayArea_4052671E_50AC_6CEF_41D3_B85A21F4C2E6.toolTip = Riccardo Broschi - Artaserse son qual nave, Atto III
HotspotPanoramaOverlayArea_43352449_50BC_AD52_41B4_E23FAD296EE3.toolTip = Richard Wagner - Lohengrin, Preludio Atto I
HotspotPanoramaOverlayArea_618E48CF_4700_9EB4_41BF_EC870C2D5D56.toolTip = Ritratto di Gioachino Rossini
HotspotPanoramaOverlayArea_65F99C57_4701_9653_41C6_B35382D565A8.toolTip = Ritratto di Isabella Colbran (ca. 1806-07)
HotspotPanoramaOverlayArea_591683BF_4700_F2D4_41D0_4E67EA95CA09.toolTip = Ritratto di Wolfgang Amadé Mozart (1777)
HotspotMapOverlayArea_539C4C10_40C8_6A88_41C0_30193F032DF9.toolTip = Sala 1/1
HotspotMapOverlayArea_520AA56A_40C8_1A98_41CB_B8D335445EFD.toolTip = Sala 1/2
HotspotMapOverlayArea_52CD727F_40C8_1F78_41C5_32AEBFF4A878.toolTip = Sala 2
HotspotMapOverlayArea_53D76DB2_40CF_E588_41A3_1853238F1526.toolTip = Sala 3
HotspotMapOverlayArea_52684E53_40C8_6689_41D0_01E462A56766.toolTip = Sala 4
HotspotMapOverlayArea_5396AD3D_40C8_6AF8_4196_44C5B8696868.toolTip = Sala 5/1
HotspotMapOverlayArea_52199AAE_40C8_2F98_41CB_9D678E76A054.toolTip = Sala 5/2
HotspotMapOverlayArea_536A4158_40C8_3AB8_41CC_450473047E41.toolTip = Sala 5/3
HotspotMapOverlayArea_52925AF9_40C8_EF78_41C5_59D796EA506B.toolTip = Sala 6
HotspotMapOverlayArea_521B9BCF_40C8_6D98_41C2_54E1A8422BF2.toolTip = Sala 7
HotspotMapOverlayArea_52601B3B_40B8_6EF8_41BC_08CFE0603EC1.toolTip = Sala 8/1
HotspotMapOverlayArea_526D6A11_40C8_2E88_41C1_366B7F7840D5.toolTip = Sala 8/2
HotspotMapOverlayArea_53B293A9_40C8_7D98_41C4_F823B15FE01A.toolTip = Sala 9
HotspotMapOverlayArea_52CC125E_40B8_7EB8_41C6_134269321F4F.toolTip = Sala egizia
HotspotMapOverlayArea_5178789D_40BB_EBB9_419F_846F56C2E919.toolTip = Scalone
HotspotPanoramaOverlayArea_6FC5401C_4703_8DD5_41C1_9237316D8A0B.toolTip = Sportelli del Crespi
HotspotPanoramaOverlayArea_59C2C10A_4700_8FBD_41C1_8F688E860BF6.toolTip = Th. Gainsborough, "Ritratto di Johan Christian Bach" (1776)
HotspotPanoramaOverlayArea_57D4D048_4659_B787_41C5_BD366BD3A62A.toolTip = Tra Otto e Novecento: Martucci e Respighi

## Media

### Audio
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### Floorplan

### Image
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### Subtitle
panorama_37C05D69_3BF1_39A8_41CD_A370AF8168ED.subtitle = Ritratto di Farinelli e di Vivaldi
panorama_5051F9E2_5C09_17DE_41D1_39F0A27904F3.subtitle = Rossini

### Title
panorama_319C62EA_3DBF_26C7_41A2_0BFF098551DA.label = Biglietteria-Bookshop
panorama_3535DFBF_3BAB_D716_41C5_0CC2D6913B8A.label = Cortile
panorama_345DD307_3BA9_48F6_41B4_E7D198089F95.label = Ingresso Biblioteca
panorama_37E9E3E4_3B99_CF2A_41C2_58B15CF80445.label = Ingresso Museo
panorama_074229B6_0D40_CCB6_41A6_3925609DAA20.label = Ingresso piano terra
panorama_03A34BA5_0971_E399_415C_5FEEC9906498.label = Ingresso primo piano
panorama_7339572F_7F48_086D_41C1_BE271183EBFC.label = Lanterna
panorama_52BE63FE_5C9A_DC0A_41CC_0A9552B6891E.label = Lo Scalone
map_56AAE529_5B5E_90AE_41BB_C8C1BAC04AB5.label = Planimetria del museo
panorama_3660C5AE_3B9B_4B36_41C3_171786E65329.label = Sala 1/1
panorama_6FC93EEB_667A_FA29_41A6_7E7FC3A35402.label = Sala 1/2
panorama_35EF028E_3B9F_C9F6_41B0_A369F2751907.label = Sala 2
panorama_35210993_3B9A_DBEE_41C7_268EB92BAECA.label = Sala 3
panorama_3512949B_3B99_491E_41B0_0C67AAE30DB3.label = Sala 4
panorama_6FA203AC_663D_BC37_41BB_0CD4BD4BA1FA.label = Sala 5/1
panorama_30254CD2_3CAC_3C00_41C2_8D8632CE656B.label = Sala 5/2
panorama_35A616CC_3B97_497A_41C9_CCA3D388116C.label = Sala 5/3
panorama_37C05D69_3BF1_39A8_41CD_A370AF8168ED.label = Sala 6
panorama_5051F9E2_5C09_17DE_41D1_39F0A27904F3.label = Sala 7
panorama_355DAB12_3BAE_B8EE_41BE_E52CF90886BA.label = Sala 8/1
panorama_354E4EF6_3BAF_5916_41CA_72AA3B34F24C.label = Sala 8/2
panorama_6AFF1305_66C5_AE70_419C_D05A677A883E.label = Sala 9
panorama_00913A71_0D43_4FCA_4190_CAA9EA6DC5DF.label = Sala Biblioteca
panorama_04F7E9C3_09D0_FA3C_4171_0447A63050E4.label = Sala Egizia

## Popup

### Body
htmlText_49DBC8BF_4639_68F9_41CC_4FB459D83124.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">FRATE GIAMBATTISTA MARTINI</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:20px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Nell'accingersi a stilare una </SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><I>Storia della musica</I></SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;"> completissima, il francescano Giambattista Martini (1706-1784) concepisce un progetto enciclopedico: raccogliere in Bologna una biblioteca di libri e spartiti musicali d'ogni epoca, nonché una galleria di ritratti dei principali compositori, esecutori e teorici della musica. La sua dottrina e il suo magistero nel contrappunto furono d'esempio e di sprone per molti in Europa: percettore di numerosi giovani compositori, l'erudito bolognese intrattenne una fitta corrispondenza con personalità politiche, intellettuali e musicali di spicco.</SPAN></SPAN></DIV></div>
htmlText_57B1D8A9_464E_E899_41CC_E8B16FDC7AF5.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">GIOACHINO ROSSINI E L'OPERA NELL'800</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:20px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">L'Ottocento segna in Italia come nelle metropoli di tutt'Europa la stagione culminante del più popolare melodramma. Al centro del sistema operistico è sempre ancora il cantante. Ma a partire dal </SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><I>Barbiere di Siviglia</I></SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;"> di Gioachino Rossini le partiture più fortunate si fissano durevolmente nei cartelloni teatrali, e nel giro di due generazioni - Bellini Donizetti Verdi - l'autore della musica scalza il librettista come drammaturgo titolare in questa singolare forma di teatro che esalta i conflitti sentimentali. Questo processo, che comporta la sintesi perfetta di parola, musica e azione, culmina nella personalità e nell'opera di Richard Wagner, precocemente idolatrato dai bolognesi: il </SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><I>Lohengrin</I></SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;"> dato qui nel 1871 segna l'avvio della fortuna wagneriana in Italia.</SPAN></SPAN></DIV></div>
htmlText_574F95D3_4646_9889_41B6_A34CBA1419E6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">GLI AMICI DI PADRE MARTINI</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:20px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Sacerdote regolare, Giambattista Martini non si sposta quasi mai da Bologna. Ma nella sua cella in S. Francesco riceve frequenti visite di estimatori, allievi, colleghi come lo storiografo inglese Burney e il compositore boemo Gluck, venuto a Bologna per inaugurare il Teatro Comunale (1763); e attraverso i libri, «senza uscir di cella» Martini conversa «con più di uno di certi maestri anche antichi, non solo spagnuoli e romani, ma ancora inglesi, greci, francesi e lombardi». Tra gli allievi spiccano Giovanni Cristiano Bach, l'ultimo figlio maschio di Johann Sebastian, e Wolfgang Amadé Mozart, ammesso quattordicenne all'Accademia Filarmonica grazie all'appoggio di padre Martini.</SPAN></SPAN></DIV></div>
htmlText_573D9252_464E_BB8B_419B_7CCC0CB3815C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">IL FARINELLI E L'OPERA ITALIANA NEL '700</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:20px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Fin dagli esordi, e più che mai nel Settecento, il fattore preminente nel sistema dell'opera in musica è il cantare. La voce del cantante, certo, il virtuosismo, l'agilità, il cantar granito, il bel legato, l'acuto splendente, il gorgheggio leggiadro, il trillo smagliante; ma anche il bel portamento, la franchezza del gesto, la mossa dignitosa, la capacità insomma di inculcare nello spettatore, con ogni facoltà musicale e istrionica, l'affetto il sentimento la passione.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Il campo d'elezione del Farinelli, soprano acclamato nei teatri d'Italia e di Londra come alla corte di Madrid, amicissimo di padre Martini, fu la dolcezza, la blandizia, la lusinga, la delizia, le arie patetiche, gli sfoghi dell'animo, gli sgorghi della passione, i sussurri dell'affetto, l'infinita nostalgia di una dignità e di una fierezza e di una nobiltà proposte come un ideale desiderabile all'ammirazione d'ogni uomo, d'ogni donna.</SPAN></SPAN></DIV></div>
htmlText_57720306_4649_998B_41B6_1E1F2B9FB854.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">L'IDEA DELLA MUSICA</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:20px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Fino al '700, il trattato di musica, contenitore universale del sapere musicale, include la totalità della disciplina: dalla narrazione del suo nobile passato e della sua moderna rinascita, all'enunciazione dei suoi principii teorici, alla loro concreta applicazione nella prassi del comporre.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">In Zarlino e in Galilei rivivono due miti musicali antichi riscoperti nel rinascimento: il mito pitagorico dell'</SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><I>armonia</I></SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">, realizzato nel canto polifonico che imita le leggi matematico-musicali della Creazione divina del mondo; e il mito dei «maravigliosi effetti della musica antica»imitati nella moderna musica espressiva.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Nell'età barocca, l'idea del cosmo musicale derivata da Pitagora si coniuga con l'immagine cristiana dei cori polifonici delle gerarchie celesti.</SPAN></SPAN></DIV></div>
htmlText_573B460B_464B_9B9A_41B9_2D6A5F7EFAFA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">LIBRI PER MUSICA E STRUMENTI</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">SECOLI XVI E XVII</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:20px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Tra i mille e mille volumi rari raccolti da padre Martini si ammira l'</SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><I>Harmonice musices odhecaton A</I></SPAN><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">, l'unico esemplare superstite del primissimo libro di musica mai stampato, impresso nel 1501 nella tipografia di Ottaviano Petrucci a Venezia. Accanto ai principali incunaboli quattrocenteschi della stampa musicale, la libreria martiniana documenta poi la sorprendente floridezza della tipografia e dell'editoria musicale italiana nel '500, alimentata dal rigoglio della poesia petrarchistica e dal culto della musica come marca di distinzione sociale.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Insieme con l'esecuzione a più voci dei madrigali cantati "a tavolino", la civiltà cortese predilige la combinazione delle voci con gli strumenti, i liuti, le viole da gamba o da braccio, i flauti, i cornetti.</SPAN></SPAN></DIV></div>
htmlText_57EF5DDA_4647_A8BA_41CB_12995E9DB5D2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">LIBRI PER MUSICA E STRUMENTI</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">SECOLI XVIII E XIX</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:20px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Nel '700 la tipografia musicale cede il passo all'incisione (calcografica, indi litografica), procedimento che fiorisce soprattutto nelle metropoli d'Oltralpe, dove anche i compositori italiani mandano a stampare le loro musiche. Un genere editoriale che solo nell'Ottocento si stabilizzerà - dapprima in Francia, indi in Germania, infine in Italia - è la partitura operistica, prima d'allora consegnata perlopiù a copie manoscritte.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Su un altro versante, il rigoglio della musica orchestrale e da camera stimola il perfezionamento tecnico degli strumenti e la loro standardizzazione: se strumenti sofisticati come la viola d'amore tendono a scomparire, il pianoforte, l'arpa, la famiglia dei violini e tutti i fiati potenziano le loro risorse di suono e d'agilità.</SPAN></SPAN></DIV></div>
htmlText_66829A55_6B49_C9C4_41D0_2C7F91170541.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">La musica è un mirabile ritrovato per mezzo del quale gli uomini, sottraendosi al tempo del cronometro e al tempo dell'esistenza, danno forma al tempo delle loro emozioni, danno corpo al tempo del mito e della storia.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Nondimeno, essa è ancorata a testimonianze materiali, fragili e vulnerabili nella loro concretezza. Partiture, trattati, strumenti, dipinti non sono musica, ma ne preservano le sole tracce durevoli: questi gli oggetti che deve raccogliere, conservare, ordinare, decifrare, comprendere, valorizzare chi voglia tramandare e godere il patrimonio musicale della nostra civiltà.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">L'opera d'arte musicale, sottratta alla consistenza oggettuale dell'opera d'arte figurativa o architettonica, a quella logico-verbale della poesia fissata sulla carta, deve di necessità mobilitare una moltitudine di fonti testi documenti, tutti utili e nessuno esauriente.</SPAN></SPAN></DIV></div>
htmlText_57EED048_4659_B787_41B5_8B5889D60028.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">TRA OTTO E NOVECENTO: MARTUCCI E RESPIGHI</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:20px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:16px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">Ammiratore di Brahms e Wagner, sensibile al richiamo della musica francese e inglese coeva, Martucci (1856-1909) è però ben consapevole che la modernità non sussisterebbe senza l'appello al passato, senza l'intransigente culto dei classici, celebrato in un sentimento di lontananza che si tramuta in assenza.</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;word-break:break-word;font-family:'Times New Roman', Times, serif;">In Respighi (1879-1936), allievo di Martucci nel Liceo musicale di Bologna, la sfiducia che alla tonalità restasse ancora nuovo spazio, e che al tempo stesso di là da essa musica alcuna potesse darsi, alimenta un linguaggio modal-tonale che assurge a melodia immobile e senza tempo, ad arcano silenzio.</SPAN></SPAN></DIV></div>

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### Multiline Text
HTMLText_899A823C_8456_2301_41DC_3795FC33DBF6.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:25.999999999999996px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:26px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><B>Strada Maggiore, 34 - Bologna</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:24px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:23.999999999999996px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="http://www.museibologna.it/musica" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:24px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><B>www.museibologna.it/musica</B></SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:24px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:17.999999999999996px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:18px;word-break:break-word;font-family:'Times New Roman', Times, serif;">*L’Istituzione Bologna Musei si impegna a riconoscere i diritti dovuti in tutti i casi in cui non è stato possibile rintracciare la provenienza delle musiche inserite.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:17.999999999999996px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:18px;word-break:break-word;font-family:'Times New Roman', Times, serif;">VN 360° Percorso Virtuale Immersivo - Concept e realizzazione:</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:17.999999999999996px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#f3a22e;"><A TARGET="_blank" HREF="http://www.veronesinamioka.com/" STYLE="text-decoration:none; color:inherit;"><SPAN STYLE="color:#000000;font-size:18px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><B>www.veronesinamioka.com</B></SPAN></A></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:18px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;word-break:break-word;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:center;font-size:17.999999999999996px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:18px;word-break:break-word;font-family:'Times New Roman', Times, serif;">In collaborazione con:</SPAN></SPAN></DIV><DIV STYLE="text-align:center;font-size:17.999999999999996px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#333333;font-size:18px;word-break:break-word;font-family:'Times New Roman', Times, serif;"><B>Istituzione Bologna Musei | Museo internazionale e biblioteca della musica</B></SPAN></SPAN></DIV></div>
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### Tooltip
IconButton_CFDCB60A_C207_4958_41E6_E3707FA51DC0_mobile.toolTip = Apri anteprima
IconButton_064D2107_0993_715F_4194_78E45D94F242.toolTip = Apri anteprima
Image_458D4A86_4B23_5E00_41C4_5B681A2A6858.toolTip = Apri planimetria
Image_521C514F_47E9_3B19_41BE_21A62BC5DC0B.toolTip = Apri planimetria
Image_4AF0B165_468F_C9AB_41C0_658807D4A141.toolTip = Apri scheda info
Image_4B5FFA78_4700_B25C_41B8_3FA5DEB31CE4.toolTip = Apri scheda info
IconButton_D5B47536_DB3B_9E7C_41E0_85AA8D59F27A.toolTip = Audio att./disatt.
IconButton_D5B47536_DB3B_9E7C_41E0_85AA8D59F27A_mobile.toolTip = Audio att./disatt.
Image_FD631F75_F3D3_7766_41E6_A3FA08CB2319.toolTip = Change to English
Image_FEF20D94_F3D7_BBA6_41A5_4D8608CB82AD.toolTip = Change to English
Image_4A23B57A_4701_B65D_419A_19F06AD0411C.toolTip = Change to English
Image_49876A09_4700_9DBF_41BB_E165A8593F15.toolTip = Change to English
IconButton_CF998AFB_C207_DEB8_41D5_F9860D285BE6.toolTip = Chiudi anteprima
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IconButton_7295BD4F_7ED8_5C6B_41D8_299E5AE928CE.toolTip = Giroscopio att./disatt.
Image_991A2F79_8A80_FA27_41A6_9375B571B981.toolTip = Menu att.
Image_876ABF23_8A7F_3A2B_41D1_121781F388C3.toolTip = Menu att.
Image_87FF3AD7_8A87_5A6B_41E1_4DF0FBF7FB07.toolTip = Menu disatt.
Image_994D94AE_8A83_4E3D_41AA_B8DBA5F0D1D3.toolTip = Menu disatt.
Container_D83F1694_D536_483D_41C0_12E3D080762A.toolTip = Planimetria
MapViewer.toolTip = Planimetria

## Tour

### Description
tour.description = VN 360º Percorso Immersivo Virtuale -  visitare, vedere e ascoltare l'essenza della muscia occidentale

### Title
tour.name = Museo internazionale e biblioteca della Musica Bologna - VN 360º

## VR Menu

### Text
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menuItem_1081F7C0_7E28_8186_41DF_00896D900A46.label = Bookshop
menuItem_0F64F065_7E28_BE8E_41C1_9E06877EDAD6.label = Cortile
menuItem_6B923B66_7FF6_866D_41D7_1FD317BB6915.label = English
menuItem_0BD4E535_7E28_868F_41B5_DB9CA4C3D227.label = Ingresso
menuItem_0E375AE6_7E28_838D_41D0_DFBE11BA674D.label = Ingresso
menuItem_6BEC094B_7FF5_83BB_41D6_F47F1A776693.label = Italiano
menuItem_0F0D3EE5_7E29_838F_41D5_1FC9E642EF37.label = La Scalone
menuItem_096B58A9_7E28_8F87_41D4_A52207A6A073.label = Lanterna
Menu_0CCA4DD9_7E19_8186_41C6_F2090E8362E3.label = Main Menu
menuItem_11BBA448_7E28_8686_41D2_1B2460D408F8.label = Museo della Musica
menuItem_0D3E3B54_7E28_828D_4194_33998BF462FB.label = Sala 1
menuItem_0ACFB05F_7E29_9EBB_41D7_DF5F9932A3DB.label = Sala 2
menuItem_0985E49F_7E29_87BA_41D9_733826A26BD5.label = Sala 3
menuItem_08BBC02C_7E29_9E9E_41D8_51CCB0C96EAB.label = Sala 4
menuItem_07B1CBAF_7E28_819A_41D9_598A9997EB6D.label = Sala 5
menuItem_11DCD522_7E28_8685_41D6_3CD5DEFB3BB6.label = Sala 6
menuItem_0F881FA9_7E2F_8187_41C7_A6FEAC709A6B.label = Sala 7
menuItem_0E45BA05_7E2F_828F_41D7_401286A931B6.label = Sala 8
menuItem_0D7C071C_7E2F_82BD_41D1_90C9D23D2E58.label = Sala 9
menuItem_098E05AD_7E28_819E_41DE_84079C5AE4D4.label = Sala Egizia
menuItem_0A88E96B_7E28_8E9A_41D8_B83429AD30A7.label = Sala lettura